Warren zevon hasten down the wind live1/25/2024 “Werewolves Of London” is to Warren Zevon as “Come On Eileen” is to Dexy’s Midnight Runners: both are terrific pop songs representative both of each respective artist’s musical style and personal flair but over time, both have distracted and drawn focus away from the wealth of additional worthwhile material they each possess. Bad Example,” a hard living artist who accurately and hilariously stated “I got to be Jim Morrison a lot longer than he did.” Ladies and gentlemen, I am proud to present Warren Zevon and his phenomenal 1980 live release, Stand In The Fire, a career defining and near perfect rock & roll artifact which demands the attention of any true friend of the genre.īut who is Warren Zevon? If you’re at all familiar with his work or even if you’re not for that matter, you’ve likely heard “Werewolves Of London,” by far his biggest commercial hit and one that has effectively and unfortunately eclipsed his career. Instead, I write on behalf of a gunslinging, excitable boy who would come to be known as “Mr. But I’m not here to talk about David Byrne or the Talking Heads. I mean, really, what could be more quintessentially Talking Heads than the extended, stumbling outro on “Psycho Killer,” not to mention Byrne’s typically awkward introduction at the track’s start. The well-recorded nature of Stop Making Sense on the whole allows for one to focus on the delightful details for as one is intimately introduced to the group’s personality, the added and undistracted personal texturing yields an improvement on almost every studio original by virtue of the listener’s improved understanding of the men and women behind the music. Stop Making Sense by the Talking Heads serves as a prime example, sonically exhibiting not only Byrne’s distinctively odd mannerisms but also displaying his band’s quirky creativity, ability for improvisation, and formidable capability as live performers while simultaneously championing their broad musical stylings via a set list that covers the group’s catalog defining tracks up to that point. But there are examples of when a live record can genuinely exceed expectations, triggering a profound interest in an artist in such a way that conventional studio recordings simply cannot. With that said, old sport, we’ve likely all had one such record pushed upon us at some point or another by a well meaning friend who’s just a little too enthusiastic about its supposed nuances – the deadhead carting around a hard drive with like thirty days of live jams comes to mind. ![]() Simply put, the very nature of such insider releases rarely proves conducive to a successful artistic introduction. This skepticism doubles when considering the case of a lesser known artist as such live performance records often offer little to the newcomer, serving primarily as supplementary material warmly welcomed by die-hard fans. If you’re anything like me, you approach the vast majority of live records with a hearty dose of skepticism, almost inherently suspicious as to whether or not the final product warrants serious consideration alongside an artist’s studio recordings. Paul Nelson, Rolling Stone, “The Crack Up and Resurrection of Warren Zevon” “Along with Neil Young’s Live Rust,” I answer, “it’s the best live rock & roll LP I’ve ever heard.” Zevon's version of the song features Phil Everly singing harmony vocals, and also David Lindley playing slide guitar.Later, Zevon previews Stand in the Fire for me. ![]() ![]() It was with Browne's assistance that Zevon got a major record contract. Their relationship played a significant role in his career thereafter. The track was produced by Jackson Browne, who met Zevon in the mid-seventies. The lyrics of the song describe the latter days of a relationship between a man and a woman, with the woman accepting that "nothing's working out the way they planned" before the man accepts that "she needs to be free". The song was later covered by Linda Ronstadt, who would use the song as the title track for her seventh solo LP. "Hasten Down the Wind" is a song written and recorded by Warren Zevon and featured on his eponymous major-label debut album. 1976 single by Warren Zevon "Hasten Down the Wind"
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